Death of Socrates – Anika Yardi ’21

Jacque Louis David’s Death of Socrates is probably my favorite piece in the Princeton University Art Museum. Even before you know anything about the work, there is something immediately striking about it– the fierce expression of the man in the middle, his finger pointed upwards to the heavens is in stark contrast with the grief-stricken Read more about Death of Socrates – Anika Yardi ’21[…]

My Favorite Princeton University Art Museum Artwork – Joe Ort ‘ 21

     Van Gogh’s Tarascon Stagecoach has fast become one of my favorite pieces in the Princeton University Art Museum. Through its very texture, this 1888 painting conveys the dustiness of the coach’s sunbaked route. The road is indeterminate and chalky, the rims of stagecoach’s wheels coated in the same striking color. Van Gogh has detailed the Read more about My Favorite Princeton University Art Museum Artwork – Joe Ort ‘ 21[…]

Favorite Object at the Princeton University Art Museum – Julia Cury ’19

I’ve always been interested in both medieval art and 19th century art. When I first saw the work of the Pre-Raphaelite Brotherhood, recalling the dark ages yet strangely modern, mixed with hints of the Realism and Romanticism so crucial to the 19th century, I was transfixed. I’ve made pilgrimages to museums and exhibitions to see Read more about Favorite Object at the Princeton University Art Museum – Julia Cury ’19[…]

Favorite Piece in the Princeton University Art Museum – Joe Ort ’21

Few titles are as overt as Ships in Fog, Gloucester, Massachusetts, but I maintain that this wonderful Fitz Henry Lane piece is actually not about boats nor harbors nor indeed anything maritime. Before you conclude that I’ve gone off the deep end, let me qualify that statement: ships and the sea certainly inform the painting’s Read more about Favorite Piece in the Princeton University Art Museum – Joe Ort ’21[…]

Beauty in the Quiet – Monet’s Meadow at Giverny, by Ryan Golant ’20

  When I first stood before Monet’s Meadow at Giverny, I was immediately enveloped in an atmosphere of calm. The soft pinks, hazy blues, and cheerful greens washed over me in a sea of utmost serenity. Everything about the painting was just so pleasant, from the ephemeral, passive brushstrokes, to the spacey layout of the Read more about Beauty in the Quiet – Monet’s Meadow at Giverny, by Ryan Golant ’20[…]